备注:已完结
类型:剧情片
主演:比吉特·米尼希迈尔 Jürgen Vogel Henry Stange
导演:马蒂亚斯·格拉斯纳
语言:其它
年代:未知
简介:位于北冰洋沿岸的哈默菲斯特是挪威最北的城市,这座小城每年都会经历极夜,太阳永远地藏在地平线以下不会升起,城市在漫长的黑夜与永恒的黎明之间徘徊。来自德国的天然气工程师尼尔斯把自己的妻子玛利亚和儿子接来此地,希望挽救即将破碎的家庭。但新的环境貌似对他们的关系于事无补。尼尔斯没日没夜的工作,还在外有个情人。玛利亚在临终医院做夜间看护,处在青春躁动期的儿子马库斯与新同学的关系也日拔弩张。但一晚一场突然起来的车祸将三颗冰冷的心渐渐融化,原本岌岌可危的夫妻关系在共同承担对这一事件的过程中开始发生变化,并在彼此的陪伴中完成了由恐慌-逃避-愧疚-踌躇-忏悔的整个心理历程,并最终在对向受害者父母说出真相完成了对自我心灵的救赎。
备注:已完结
类型:剧情片
主演:杰尼斯·纽沃纳 安德烈·赫尼克 茱莉亚·克斯奇兹 托马斯·萨巴彻尔 巴
导演:Piotr J. Lewandowski
语言:其它
年代:未知
简介:A graduate of the Offenbach College of Design, Piotr J. Lewandowski has made his directorial debut with JONATHAN (working-title) based on an award-winning screenplay. The moving drama about family secrets and the obstacles to achieving one’s own happiness features Jannis Niewöhner, one of this year’s European Shooting Stars, in the title role of the 24-year-old Jonathan. The young man is caring unstintingly for his terminally-ill father Burghardt, but then sees his life in a new light after falling in love with Anka, who has come to nurse his father. However, the story takes another twist when Ron, Burghardt’s long-lost friend from his youth, re-appears — and a well-kept family secret is uncovered....
备注:已完结
类型:剧情片
主演:范·迪塞尔 拉伦兹·泰特 蒂莫西·奥利芬特 格诺·席尔瓦 杰奎琳·奥拉
导演:F·加里·格雷
语言:英语
年代:未知
简介:美国与墨西哥接壤的边境地带,因为管理混乱成了毒贩们的天堂。缉毒特工西恩•维特(范•迪塞尔 Vin Diesel 饰)精明强干,经过不懈努力终于与同侪们合力抓获了大毒枭卢塞洛。然而,卢塞洛向西恩发出警告,声称后者铸下大错。果然,毒品市场因卢塞洛入狱而重新划分利益范围,一个 自称“暗黑破坏神”的新毒枭大开杀戒,西恩的爱妻在袭击中不幸身亡,更误认为狱中的卢塞洛是幕后黑手;而卢塞洛因暗黑破坏神的步步紧逼感到陷入绝境,终于答应和解除对自己误会的西恩合作。西恩利用卢塞洛的团伙力量,与同伴为暗黑破坏神布下陷阱,发誓为妻子报仇……
备注:已完结
类型:剧情片
主演:Heinrich Hargesheimer Carlheinz Har
语言:其它
年代:未知
简介:The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.