备注:已完结
类型:记录片
导演:克里斯·史密斯
语言:英语
年代:未知
简介:An intimate celebration of George Michael and Andrew Ridgeley’s enduring friendship, from childhood and through their years together as one of the UK’s biggest bands. Michael and Ridgeley met at school in Bushy, near the town of Watford. They first formed the ska band The Executive before going on to release their first single as Wham!, Wham Rap! in June 1982. Success wasn’t immediate, but when it finally came, the pair crested a wave of success that continued until their farewell concert, The Final, at Wembley Stadium in June 1986. Chris Smith’s hugely entertaining film offers full and unprecedented access to the band’s archive, including unseen footage and interviews with the duo. The result is a nuanced portrait of an enduring friendship and a joyous musical travelogue.
备注:已完结
类型:伦理片
主演:乔什·拉沃里 丹尼尔·加百列 安妮·芬斯特尔 伊恩·罗伯茨 艾
导演:克雷格·伯雷汉
语言:英语
年代:未知
简介:「此片最大亮點,就是以親密關係的角度,探討感情受創的陌生人,是如何藉由肉體關係打開彼此的心房。」——《好萊塢報導者》 牛仔凱西決定擺脫鄉村生活,來到繁華大都會雪梨。沒有任何當地人脈或豐富的資金,寂寞催化之下,決定透過交友軟體邂逅了提柏。不打算將關係貼上任何標籤,但隨著時間走去,兩人的關係越靠越近,帶來的卻是嫉妒、危險也隨之蔓延。 在《寂寞禁忌》中,導演克雷格・柏漢以大膽、不避諱的鏡頭語言,直白描繪其中的情慾意象和肉體情慾。同時也將五光十色雪梨夜生活,呈現得目眩神迷,令人目不轉睛。
备注:已完结
类型:欧美剧
主演:贾斯蒂娜·马查多 亚历桑德罗·埃尔南德斯 Kita K·托德·弗里曼
导演:未知
语言:英语
年代:未知
简介:《德洛丽丝·罗奇的恐怖》是一部受《理发师陶德》(Sweeney todd)启发的怪诞故事,讲述的是“吃还是被吃”;一个关于爱情、背叛、杂草、中产阶级化、同类相食和适者生存的可怕都市传说。这部电影讲述了不屈不挠的多洛雷斯·罗奇(Dolores Roach)回到纽约市的一个社区,在她入狱的16年里,这个社区发生了巨大的变化。她的男朋友失踪了,她的家人早就不在了,德洛丽丝只认识一个吸毒的老朋友路易斯,他给德洛丽丝提供食宿,并让她在他破旧的肉馅卷饼店下面的地下室公寓里为现金按摩。当她新发现的稳定的承诺很快受到威胁时,“魔法手”德洛丽丝被驱使到极端生存-在她身后留下了一系列勒死的按摩客户。面对意想不到的职业成功,多洛丽丝和路易斯成为危险的共生关系,路易斯必须释放他自己的特殊偏好。
备注:已完结
类型:恐怖片
导演:爱丽丝·特劳顿
语言:英语
年代:未知
简介:Unable to find inspiration for his newest piece, young author Liam (Daryl McCormack) takes on the titanic weight of tutoring the son of legendary writer J.M. Sinclair (Richard E. Grant) and his wife Hélène Sinclair (Julie Delpy). Reeling from the mysterious passing of their eldest son, the Sinclairs push Liam to work harder and invite him to stay on the estate grounds with them. Soon enough, lies big and small unfurl as a well-intentioned exercise quickly transforms into a saga of lust, betrayal, jealousy, and the quest for legacy-defining relevance. A battle of wits begins with everyone carrying much to lose. Delpy, Grant, and McCormack all make triumphant returns to Tribeca in a drama bubbling with explorations of authorship and the inextricable link between family, no matter how broken. Thrilling and darkly comedic, the project questions the efficacy and sour ethical dynamics which may arise from mentorship and the tenuous hopes and dreams many wrap around that very concept.